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MESH reading resources 
(Still in process. More resources uploaded soon)
Ball, P. (1999). The Self-Made Tapestry. Patter formation in nature. Oxford: Oxford University Press
Ball, P. (2004). Critical Mass. How things move to one another. Oxford: Oxford University Press
Ball, P. (2009).Branches. Nature's Patterns: a tapestry in three parts.Oxford: Oxford University Press
Ball, P. (2009). Flow. Nature's Patterns: a tapestry in three parts. Oxford: Oxford University Press
Ball, P. (2009). Shapes. Nature's Patterns: a tapestry in three parts. Oxford: Oxford University Press
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Ingold ,T. (2007). Lines: A brief history. New York: Routledge.
Ingold, T. (2011). Being Alive, London: Routledge.
Ingold, T. (2015). The Life of Lines, London: Routledge.
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Chant,S.R., Hindriks,F. Preyer,G. (eds.), (2014) From Individual to Collective Intentionality: New Essays. Oxford University Press

 

Elena Baster, Emanuele Guidi, Elisa Ricci. Rehearsing Collectivity. Choreography Beyond Dance.

 

Ehrenreich, B. (2007) Dancing in the Streets. A History of Collective Joy. London: Granta Books

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Goldsworthy, A. (1996). Wood. London: Penguin Group

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Hind, C.,Quelmann, C. (2015) Ways to Wander. Triarchy Press

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Keysers, C. (2011). The Empathic Brain. Social brain press

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Laermans, R. (2008). 'Dance in general', or choreographing the public, making assemblages. Performance Research: a Journal of Performing Arts, 13 (1), 7-14.

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Laermans, R. (2012). 'Being in common': Theorizing artistic collaboration. Performance Research: a Journal of Performing Arts, 17 (6), 94-102.

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Lepeki, A. (2013) From Partaking to Initiating: Leadingfollowing as Dance’s (a-personal) Political Singularity. In (G. Siegmund & S. Hölscher Eds.),Dance, Politics & Co-Immunity. Thinking Resistances. Current Perspectives on Politics and Communities in the Arts, Vol. 1

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Manning, E. (2009) Relationscapes: Movement, Art, Philosophy. Cambridge, MA: The MIT Press.

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Nancy, J.L. (2003).  Limits, borders and shores of singularity. In (A.E. Hooke & W.W. Fuchs Eds.), Encounters with Alphonso Lingis.  Lanham, Maryland: Lexington Books.

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Sabisch, P. (2013) Choreographing Participatory Relations. Contamination and Articulation.

In (G. Siegmund & S. Hölscher Eds.),Dance, Politics & Co-Immunity. Thinking Resistances. Current Perspectives on Politics and Communities in the Arts, Vol. 1

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Seemann, A. (2011)  Joint Attention: New Developments in Psychology, Philosophy of Mind, and Social Neuroscience. London: The MIT Press

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Sennett, R. (2012) Together. The rituals, pleasures & politics of cooperation

 

Sgorbati, S.(2012). Order for free: Emergent Improvisation as a system for composition and communication  http://emergentimprovisation.org/Order-for-Free.html 

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Social Choreography: Journal for Performing Arts Theory  http://www.tkh-generator.net/wp-content/uploads/2014/04/tkh_21_web1.pdf (p.77)

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Talks
Philip Ball: Embodied Patterns: Patterns in Nature
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Tim Ingold: Training the Senses: The knowing body
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Tim Ingold:  Crossing Borders Talks 2011 - Independent Dance (PAL Movement & Meaning talk)
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Tim Ingold: Lines of Correspondence
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Roman Krznaric: How to Start an Empathy Revolution 
Roman Krznaric: Why we need to move empathy from personal emotion to collective moral concern
https://www.youtube.com/watch?v=BG46IwVfSu8
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Videos
Simone Forti: Huddle performance on the High Line
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'Flock Logic' unites science and dance
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Complex Adaptive Systems
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Links
Vanessa Grasse
Wandering as Pathscaping by Vanessa Grasse
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See Wandering as Pathscaping Bibliography for further reading
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