MESH reading resources
(Still in process. More resources uploaded soon)
Ball, P. (1999). The Self-Made Tapestry. Patter formation in nature. Oxford: Oxford University Press
Ball, P. (2004). Critical Mass. How things move to one another. Oxford: Oxford University Press
Ball, P. (2009).Branches. Nature's Patterns: a tapestry in three parts.Oxford: Oxford University Press
Ball, P. (2009). Flow. Nature's Patterns: a tapestry in three parts. Oxford: Oxford University Press
Ball, P. (2009). Shapes. Nature's Patterns: a tapestry in three parts. Oxford: Oxford University Press
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Ingold ,T. (2007). Lines: A brief history. New York: Routledge.
Ingold, T. (2011). Being Alive, London: Routledge.
Ingold, T. (2015). The Life of Lines, London: Routledge.
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Chant,S.R., Hindriks,F. Preyer,G. (eds.), (2014) From Individual to Collective Intentionality: New Essays. Oxford University Press
Elena Baster, Emanuele Guidi, Elisa Ricci. Rehearsing Collectivity. Choreography Beyond Dance.
Ehrenreich, B. (2007) Dancing in the Streets. A History of Collective Joy. London: Granta Books
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Goldsworthy, A. (1996). Wood. London: Penguin Group
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Hind, C.,Quelmann, C. (2015) Ways to Wander. Triarchy Press
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Keysers, C. (2011). The Empathic Brain. Social brain press
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Laermans, R. (2008). 'Dance in general', or choreographing the public, making assemblages. Performance Research: a Journal of Performing Arts, 13 (1), 7-14.
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Laermans, R. (2012). 'Being in common': Theorizing artistic collaboration. Performance Research: a Journal of Performing Arts, 17 (6), 94-102.
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Lepeki, A. (2013) From Partaking to Initiating: Leadingfollowing as Dance’s (a-personal) Political Singularity. In (G. Siegmund & S. Hölscher Eds.),Dance, Politics & Co-Immunity. Thinking Resistances. Current Perspectives on Politics and Communities in the Arts, Vol. 1
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Manning, E. (2009) Relationscapes: Movement, Art, Philosophy. Cambridge, MA: The MIT Press.
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Nancy, J.L. (2003). Limits, borders and shores of singularity. In (A.E. Hooke & W.W. Fuchs Eds.), Encounters with Alphonso Lingis. Lanham, Maryland: Lexington Books.
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Sabisch, P. (2013) Choreographing Participatory Relations. Contamination and Articulation.
In (G. Siegmund & S. Hölscher Eds.),Dance, Politics & Co-Immunity. Thinking Resistances. Current Perspectives on Politics and Communities in the Arts, Vol. 1
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Seemann, A. (2011) Joint Attention: New Developments in Psychology, Philosophy of Mind, and Social Neuroscience. London: The MIT Press
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Sennett, R. (2012) Together. The rituals, pleasures & politics of cooperation
Sgorbati, S.(2012). Order for free: Emergent Improvisation as a system for composition and communication http://emergentimprovisation.org/Order-for-Free.html
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Social Choreography: Journal for Performing Arts Theory http://www.tkh-generator.net/wp-content/uploads/2014/04/tkh_21_web1.pdf (p.77)
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