MESH reading resources
(Still in process. More resources uploaded soon)
Ball, P. (1999). The Self-Made Tapestry. Patter formation in nature. Oxford: Oxford University Press
Ball, P. (2004). Critical Mass. How things move to one another. Oxford: Oxford University Press
Ball, P. (2009).Branches. Nature's Patterns: a tapestry in three parts.Oxford: Oxford University Press
Ball, P. (2009). Flow. Nature's Patterns: a tapestry in three parts. Oxford: Oxford University Press
Ball, P. (2009). Shapes. Nature's Patterns: a tapestry in three parts. Oxford: Oxford University Press
Ingold ,T. (2007). Lines: A brief history. New York: Routledge.
Ingold, T. (2011). Being Alive, London: Routledge.
Ingold, T. (2015). The Life of Lines, London: Routledge.
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Chant,S.R., Hindriks,F. Preyer,G. (eds.), (2014) From Individual to Collective Intentionality: New Essays. Oxford University Press
Elena Baster, Emanuele Guidi, Elisa Ricci. Rehearsing Collectivity. Choreography Beyond Dance.
Ehrenreich, B. (2007) Dancing in the Streets. A History of Collective Joy. London: Granta Books
Goldsworthy, A. (1996). Wood. London: Penguin Group
Hind, C.,Quelmann, C. (2015) Ways to Wander. Triarchy Press
Keysers, C. (2011). The Empathic Brain. Social brain press
Laermans, R. (2008). 'Dance in general', or choreographing the public, making assemblages. Performance Research: a Journal of Performing Arts, 13 (1), 7-14.
Laermans, R. (2012). 'Being in common': Theorizing artistic collaboration. Performance Research: a Journal of Performing Arts, 17 (6), 94-102.
Lepeki, A. (2013) From Partaking to Initiating: Leadingfollowing as Dance’s (a-personal) Political Singularity. In (G. Siegmund & S. Hölscher Eds.),Dance, Politics & Co-Immunity. Thinking Resistances. Current Perspectives on Politics and Communities in the Arts, Vol. 1
Manning, E. (2009) Relationscapes: Movement, Art, Philosophy. Cambridge, MA: The MIT Press.
Nancy, J.L. (2003). Limits, borders and shores of singularity. In (A.E. Hooke & W.W. Fuchs Eds.), Encounters with Alphonso Lingis. Lanham, Maryland: Lexington Books.
Sabisch, P. (2013) Choreographing Participatory Relations. Contamination and Articulation.
In (G. Siegmund & S. Hölscher Eds.),Dance, Politics & Co-Immunity. Thinking Resistances. Current Perspectives on Politics and Communities in the Arts, Vol. 1
Seemann, A. (2011) Joint Attention: New Developments in Psychology, Philosophy of Mind, and Social Neuroscience. London: The MIT Press
Sennett, R. (2012) Together. The rituals, pleasures & politics of cooperation
Sgorbati, S.(2012). Order for free: Emergent Improvisation as a system for composition and communication http://emergentimprovisation.org/Order-for-Free.html
Social Choreography: Journal for Performing Arts Theory http://www.tkh-generator.net/wp-content/uploads/2014/04/tkh_21_web1.pdf (p.77)